Ashok Kumar Biography
Ashok Kumar (Bengali: অশোক কুমার; 13 October 1911 – 10 December 2001) was an Indian film actor. Born Kumudlal Kunjilal Ganguly (Bengali: কুমুদলাল কুঞ্জিলাল গাঙ্গুলি) in Bhagalpur, Bengal Presidency he attained iconic status in Indian cinema. He broke from the theatrical style then common in Indian film towards a more naturalistic method. Given his versatility and proven brilliance over five decades, he is considered by many to be one of the finest ever Indian actors. The Government of India honoured him with the Dadasaheb Phalke Award in 1988 and the Padma Bhushan in 1998 for his contributions towards Indian cinema.
Family
His father Kunjalal Ganguly was a lawyer and his mother Gouri Devi came from a wealthy Bengali family and the family was based in Khandwa, Madhya Pradesh. His brothers Anoop Kumar and Kishore Kumar also acted in films. Three brothers worked together in the comedies Chalti Ka Naam Gaadi, Badhti Ka Naam Dadhi and Chalti Ka Naam Zindagi. Ashok, though the eldest of the three by quite a margin, survived them both. In fact, he stopped celebrating his birthday after the youngest brother, Kishore, died on that day in 1987. His sister, Sati Devi, was married to Sashadhar Mukherjee of the Mukherjee-Samarth family.
Early career
Reverently called Dadamoni (affectionate term for elder brother), he was born in Bhagalpur and educated at Presidency College of the University of Calcutta (now Presidency University, Kolkata). He started his career in Bombay (Mumbai), albeit accidentally, with the Bombay Talkies production Jeevan Naiya in 1936. The male lead, Najam-ul-Hussain, went absconding with the heroine Devika Rani the director's wife who returned later. The director and studio head, Himanshu Rai, in retaliation dismissed the hero and called upon his laboratory assistant Ashok Kumar to take the part and thus began a six-decade-long acting career. However, it was his subsequent venture with Devika Rani in Achhut Kanya in the same year that set him up for the big league. The movie itself stands out as one of the heralding social dramas of pre-independence Indian film. It was the story of a Brahmin boy falling in love with a girl from the so called untouchables in Indian society. It was a big hit and started the trend of socially committed films.
Devika Rani and Ashok Kumar in Achhut Kanya, 1936
Devika Rani and Ashok Kumar did a string of films after this including Izzat 1937, Savitri 1937 and Nirmala 1938. But she was the bigger star and Ashok Kumar was definitely in her shadow. He came into his own with three films opposite Leela Chitnis: KanGan in 1939, Bandhan in 1940, Jhoola in 1941, singing his own songs as was the custom then. He acquitted himself creditably and came away with several hits including most famously Main Ban ka Panchhi.
traditional theatrical acting style and developed his own more natural style. He was also not afraid to take risks and was one of the first anti-heroes of Indian Cinema with his role in Kismet in 1943. This movie went on to create a record for the highest grossing film in India at the time of its release.
He produced several films for Bombay Talkies during the final years of the company including the famous Mahal in 1949 in which he co-starred with Madhubala. In the 1950s, he played the suave cigarette-smoking criminal or police officer in several films of what was the Indian film-noir movement. In the late 1960s he switched to character roles playing the parent, grandparent, dirty old man and suave criminal, being careful never to be typecast. He paired up 20 times with the queen of tragedy, and one of the best actresses ever seen in Bollywood, Meena Kumari, in films such as Parineeta, Bahu Begum, Pakeezah, Ek Hi Raasta, Bandish, Aarti and many more.
Ashok Kumar (Bengali: অশোক কুমার; 13 October 1911 – 10 December 2001) was an Indian film actor. Born Kumudlal Kunjilal Ganguly (Bengali: কুমুদলাল কুঞ্জিলাল গাঙ্গুলি) in Bhagalpur, Bengal Presidency he attained iconic status in Indian cinema. He broke from the theatrical style then common in Indian film towards a more naturalistic method. Given his versatility and proven brilliance over five decades, he is considered by many to be one of the finest ever Indian actors. The Government of India honoured him with the Dadasaheb Phalke Award in 1988 and the Padma Bhushan in 1998 for his contributions towards Indian cinema.
Family
His father Kunjalal Ganguly was a lawyer and his mother Gouri Devi came from a wealthy Bengali family and the family was based in Khandwa, Madhya Pradesh. His brothers Anoop Kumar and Kishore Kumar also acted in films. Three brothers worked together in the comedies Chalti Ka Naam Gaadi, Badhti Ka Naam Dadhi and Chalti Ka Naam Zindagi. Ashok, though the eldest of the three by quite a margin, survived them both. In fact, he stopped celebrating his birthday after the youngest brother, Kishore, died on that day in 1987. His sister, Sati Devi, was married to Sashadhar Mukherjee of the Mukherjee-Samarth family.
Early career
Reverently called Dadamoni (affectionate term for elder brother), he was born in Bhagalpur and educated at Presidency College of the University of Calcutta (now Presidency University, Kolkata). He started his career in Bombay (Mumbai), albeit accidentally, with the Bombay Talkies production Jeevan Naiya in 1936. The male lead, Najam-ul-Hussain, went absconding with the heroine Devika Rani the director's wife who returned later. The director and studio head, Himanshu Rai, in retaliation dismissed the hero and called upon his laboratory assistant Ashok Kumar to take the part and thus began a six-decade-long acting career. However, it was his subsequent venture with Devika Rani in Achhut Kanya in the same year that set him up for the big league. The movie itself stands out as one of the heralding social dramas of pre-independence Indian film. It was the story of a Brahmin boy falling in love with a girl from the so called untouchables in Indian society. It was a big hit and started the trend of socially committed films.
Devika Rani and Ashok Kumar in Achhut Kanya, 1936
Devika Rani and Ashok Kumar did a string of films after this including Izzat 1937, Savitri 1937 and Nirmala 1938. But she was the bigger star and Ashok Kumar was definitely in her shadow. He came into his own with three films opposite Leela Chitnis: KanGan in 1939, Bandhan in 1940, Jhoola in 1941, singing his own songs as was the custom then. He acquitted himself creditably and came away with several hits including most famously Main Ban ka Panchhi.
traditional theatrical acting style and developed his own more natural style. He was also not afraid to take risks and was one of the first anti-heroes of Indian Cinema with his role in Kismet in 1943. This movie went on to create a record for the highest grossing film in India at the time of its release.
He produced several films for Bombay Talkies during the final years of the company including the famous Mahal in 1949 in which he co-starred with Madhubala. In the 1950s, he played the suave cigarette-smoking criminal or police officer in several films of what was the Indian film-noir movement. In the late 1960s he switched to character roles playing the parent, grandparent, dirty old man and suave criminal, being careful never to be typecast. He paired up 20 times with the queen of tragedy, and one of the best actresses ever seen in Bollywood, Meena Kumari, in films such as Parineeta, Bahu Begum, Pakeezah, Ek Hi Raasta, Bandish, Aarti and many more.
Ashok Kumar
Ashok Kumar
Ashok Kumar
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Ashok Kumar
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Ashok Kumar
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Ashok Kumar
Mein Ban Ki Chidiya (Ashok Kumar and Devika Rani)
Kadam kadam ashok kumar wakes from almost dead
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